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| music:songs [2026/06/07 09:00] – [Maitre Corbeau] mangotrain | music:songs [2026/08/10 01:56] (current) – wikarai | ||
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| ====== Songs ====== | ====== Songs ====== | ||
| + | |||
| + | __Note; chordsheets plugin under renovation__ | ||
| + | |||
| + | ===== Texts turned to songs ===== | ||
| + | |||
| + | ==== Oh the places you’ll go ==== | ||
| + | F G C, E7; Am F; G C | ||
| + | Congratulations! Today is your day, | ||
| + | You’re off to Great Places! | ||
| + | You’re off and away! | ||
| + | |||
| + | E7 F (2); G C E7; Dm G C; Dm G C-G-C (D C D) | ||
| + | You have brains in your head. | ||
| + | You have feet in your shoes. | ||
| + | You can steer yourself | ||
| + | any direction you choose. | ||
| + | You’re on your own, | ||
| + | And you know what you know. | ||
| + | And YOU are the [guy|one] who’ll | ||
| + | decide where to go. | ||
| + | |||
| + | F G C, E7 Am; Dm G Dm G; E7 A7; Dm G7 | ||
| + | You’ll look up and down streets. | ||
| + | Look’em over with care. | ||
| + | About some you will say, | ||
| + | “I don’t choose to go there.” | ||
| + | With your head full of brains | ||
| + | and your shoes full of feet, | ||
| + | You’re too smart to go down | ||
| + | a not-so-good street. | ||
| + | Dm G Dm G; E7 A7; F Dm A | ||
| + | And you may not find any | ||
| + | you’ll want to go down. | ||
| + | In that case, of course, | ||
| + | you’ll head straight out of town. | ||
| + | It’s opener there in the wide open air. | ||
| + | |||
| + | Bb F C G, E7.. As4 A (x2) | ||
| + | Out there things can happen | ||
| + | and frequently do | ||
| + | to people as brainy, and footsy as you | ||
| + | And when things start to happen, | ||
| + | don’t worry. Don’t stew. | ||
| + | Just go right along. You’ll start happening too. | ||
| + | Dm G C, Dm G C; Dm G C G F Dm A | ||
| + | Oh! The Places You’ll Go! | ||
| + | You’ll be on your way up! | ||
| + | You’ll be seeing great sights! | ||
| + | You’ll join the high fliers | ||
| + | who soar to high heights. | ||
| + | |||
| + | Bb F C Dm (2), G C-G-F (2) | ||
| + | You won’t lag behind, because | ||
| + | you’ll have the speed. | ||
| + | You’ll pass the whole gang and | ||
| + | you’ll soon take the lead. | ||
| + | Wherever you fly, you’ll be best of the best. | ||
| + | Wherever you go, you will top all the rest. | ||
| + | Dm E7 Am | ||
| + | Except when you don’t. | ||
| + | Because, sometimes, you won’t. | ||
| + | |||
| + | Am D Am, D F Dm (2) | ||
| + | I’m sorry to say so but, sadly, it’s true that | ||
| + | Bang-ups and Hang-ups can happen to you. | ||
| + | You can get all hung up in a prickle-ly perch. | ||
| + | And your gang will fly on. You’ll be left in a Lurch. | ||
| + | E Em E Em | ||
| + | You’ll come down from the Lurch | ||
| + | with an unpleasant bump. | ||
| + | And the chances are, then, | ||
| + | that you’ll be in a Slump. | ||
| + | D Dm D Dm | ||
| + | And when you’re in a Slump, | ||
| + | you’re not in for much fun. | ||
| + | Un-slumping yourself is not easily done. | ||
| + | Bb, C, F, Dm; Eb E7 As4 A As4 A (2) | ||
| + | You will come to a place | ||
| + | where the streets are not marked. | ||
| + | Some windows are lighted. | ||
| + | But mostly they’re darked. | ||
| + | A place you could sprain both your | ||
| + | elbow and chin! | ||
| + | Bb F C Dm, Bb F G A | ||
| + | Do you dare to stay out? | ||
| + | Do you dare to go in? How much can you lose? How much can you win? | ||
| + | |||
| + | Am D Am, D Am F Dm | ||
| + | And if you go in, should you turn left or right… | ||
| + | or right-and-three-quarters? | ||
| + | A Dm A, Dm F Dm A | ||
| + | Or go around back and sneak in from behind? Simple it’s not, I’m afraid you will find, for a mind-maker-upper to make up his mind. | ||
| + | D Gm C F Bb Eb Db G | ||
| + | You can get so confused that you’ll start in to race down long wiggled roads at a break-necking pace | ||
| + | D Gm C F Bb Eb Db C+ | ||
| + | and grind on for miles across weirdish wild space, headed, I fear, toward a most useless place. | ||
| + | C+ | ||
| + | The Waiting Place…for people just waiting. | ||
| + | |||
| + | Fm C, C Fm, Eb Ab Db C+.... | ||
| + | Waiting for a train to go or a bus to come, | ||
| + | or a plane to go or the mail to come, | ||
| + | or the rain to go or the phone to ring, | ||
| + | or the snow to snow or waiting around | ||
| + | for a Yes or No or waiting for their hair to grow. | ||
| + | Everyone is just waiting. | ||
| + | |||
| + | Fm C, C Fm, Eb Ab Db (2) C+ | ||
| + | Waiting for the fish to bite | ||
| + | or waiting for wind to fly a kite | ||
| + | or waiting around for Friday night | ||
| + | or waiting, perhaps, | ||
| + | for their Uncle Jake or a pot to boil, | ||
| + | or a Better Break or a string of pearls, | ||
| + | or a pair of pants or a wig with curls, | ||
| + | or Another Chance. | ||
| + | Everyone is just waiting. | ||
| + | |||
| + | F G C, E7; F; G C | ||
| + | No! That’s not for you! Somehow you’ll escape all that waiting and staying. | ||
| + | You’ll find the bright places where Boom Bands are playing. With banner flip-flapping, | ||
| + | |||
| + | Oh, the places you’ll go! There is fun to be done! There are points to be scored. There are games to be won. And the magical things you can do with that ball will make you the winning-est winner of all. Fame! You’ll be famous as famous can be, with the whole wide world watching you win on TV. | ||
| + | |||
| + | Except when they don’t. Because, sometimes, they won’t. | ||
| + | |||
| + | I’m afraid that some times you’ll play lonely games too. Games you can’t win ‘cause you’ll play against you. | ||
| + | |||
| + | All Alone! | ||
| + | Whether you like it or not, Alone will be something you’ll be quite a lot. | ||
| + | |||
| + | And when you’re alone, there’s a very good chance you’ll meet things that scare you right out of your pants. There are some, down the road between hither and yon, that can scare you so much you won’t want to go on. | ||
| + | Dm G C E7 | ||
| + | But on you will go though the weather be foul. | ||
| + | On you will go though your enemies prowl. On you will go though the Hakken-Kraks howl. Onward up many a frightening creek, though your arms may get sore and your sneakers may leak. On and on you will hike. And I know you’ll hike far and face up to your problems whatever they are. | ||
| + | |||
| + | You’ll get mixed up, of course, as you already know. You’ll get mixed up with many strange birds as you go. So be sure when you step. Step with care and great tact and remember that Life’s a Great Balancing Act. Just never forget to be dexterous and deft. And never mix up your right foot with your left. | ||
| + | |||
| + | And will you succeed? | ||
| + | Yes! You will, indeed! | ||
| + | (98 and ¾ percent guaranteed.) | ||
| + | |||
| + | Kid, you’ll move mountains! | ||
| + | So…be your name Buxbaum or Bixby or Bray or Mordecai Ale Van Allen O’Shea, you’re off to Great Places! | ||
| + | Today is your day! | ||
| + | Your mountain is waiting. | ||
| + | So…get on your way! | ||
| ===== Dalle Yivalkes Ayo ===== | ===== Dalle Yivalkes Ayo ===== | ||
| Line 6: | Line 153: | ||
| ==== Nammonsokkeam ==== | ==== Nammonsokkeam ==== | ||
| - | > **C Bbm Fm Bbm Fm** | + | < |
| - | > **Eb Ab Db, Ab+ Fm** | + | C |
| - | > **Eb Ab DbM7 Gs4 G C** | + | Eb Ab |
| - | > | + | Eb Ab |
| - | > **C C Bbm Fm, Db Bbm C** | + | |
| - | > Passi Ney, Ga’ali uwwe nayil | + | C |
| - | > Peye, yenkobbani lareye | + | Passi Ney, Ga’ali uwwe nayil |
| - | > | + | Peye, yenkobbani lareye |
| - | > **Fm Db, Fs2 Fm** | + | |
| - | > Kavnemfeen Vakhawnin | + | Fm Db, |
| - | > Uttwiro Plennamin | + | Kavnemfeen Vakhawnin |
| - | > | + | Uttwiro Plennamin |
| - | > **C C Bbm Fm, Db Bbm C** | + | |
| - | > | + | C |
| - | > **Db Ab+ Fm** | + | |
| - | > **Fm Db, Ab+ Fm** | + | Db Ab+ Fm |
| - | > Siima WuFaba Wu’Vaal Wu’Laares Wu’Tezve | + | Fm Db |
| - | > Lwaskanoy Pya…skeppa | + | Siima WuFaba Wu’Vaal Wu’Laares Wu’Tezve |
| - | > Askiroy Liteebemfreyeeni | + | Lwaskanoy Pya…skeppa |
| - | > | + | Askiroy Liteebemfreyeeni |
| - | > **C Fm Eb Ab, Db G C** | + | |
| - | > **C Bbm Fm, Db Ab+ F** | + | C |
| - | > Wu’nayokhodu taarii ivealin noom | + | C |
| - | > Shayadhwinyo barrey | + | Wu’nayokhodu taarii ivealin noom |
| - | > Wuninyo? Pae | + | Shayadhwinyo barrey |
| - | > Zaagevawn Peddam | + | Wuninyo? Pae |
| - | > Deluwi Kerelli | + | Zaagevawn Peddam |
| + | Deluwi Kerelli | ||
| + | </ | ||
| ==== P’harell ==== | ==== P’harell ==== | ||
| Line 237: | Line 386: | ||
| > Na-yil-erh-ku | > Na-yil-erh-ku | ||
| > And notice | > And notice | ||
| - | |||
| - | ==== Lulun Balets ==== | ||
| - | > **C C; Gm Eb Bb Eb; C Gm, Bb Eb Bb Eb** | ||
| - | > Tchitchitchi! Lulun Kui Esti! | ||
| - | > NasNimuhr askam! (2) | ||
| - | > Narashpizhu Eskir bala fi | ||
| - | > Unsatewakh no (2) | ||
| - | > Hush Hush Hush! The owl comes for thee! Its smelly worms hunger! | ||
| - | > The bag of snake, It rides a-dancing, With bad intentions | ||
| - | > **C F; Fm Gm Fm Db9** | ||
| - | > Nistazha fel meraashaun tayo | ||
| - | > Pilva ensera x2 | ||
| - | > The righteous sigh/brick, Your Green Fish | ||
| - | > **F Dm; Gm Eb, Gm Eb; DbM7 C** | ||
| - | > Nistazha fel meraashaun tayo | ||
| - | > wukaamfesho we, Tsaralni we ensetto shi | ||
| - | > Sharenden shi | ||
| ==== SoonDalle ==== | ==== SoonDalle ==== | ||
| Line 508: | Line 640: | ||
| > Climbing some mountain on a screen | > Climbing some mountain on a screen | ||
| > Till dawn told me it’s time to sleep Oh | > Till dawn told me it’s time to sleep Oh | ||
| + | > | ||
| > dear And now the | > dear And now the | ||
| > sun shines on my forehead and FUCK | > sun shines on my forehead and FUCK | ||
| > I got some laundry for my biggest day | > I got some laundry for my biggest day | ||
| + | > | ||
| > Yet here I’m yawning as the afternoon | > Yet here I’m yawning as the afternoon | ||
| > plays its course and I return | > plays its course and I return | ||
| + | > | ||
| > … to fantasies of another set of skins to wear | > … to fantasies of another set of skins to wear | ||
| > as berries de-spawn away from | > as berries de-spawn away from | ||
| + | > | ||
| > **D Am, Bm Em Gm Em** | > **D Am, Bm Em Gm Em** | ||
| > **D Am G C Bb C D** | > **D Am G C Bb C D** | ||
| Line 525: | Line 657: | ||
| > soon… Why do I grind through the biggest game yet that | > soon… Why do I grind through the biggest game yet that | ||
| > might be ending too soon | > might be ending too soon | ||
| - | > Monsieur! | + | |
| - | > **Bb F Bb F | + | ==== Monsieur! |
| - | > Bb E7 Am D | + | > **Bb F Bb F** |
| - | > Gm C Gm C D** | + | > **Bb E7 Am D** |
| + | > **Gm C Gm C D** | ||
| > Monsieur monsieur | > Monsieur monsieur | ||
| > Il y a un soucie | > Il y a un soucie | ||
| Line 535: | Line 668: | ||
| > Je n’demanderai rien d’autre du chef | > Je n’demanderai rien d’autre du chef | ||
| > qu’une nouvelle soupe mon brave? | > qu’une nouvelle soupe mon brave? | ||
| - | > **Bb F Bb F | + | > **Bb F Bb F** |
| - | > Bb E7 Am D | + | > **Bb E7 Am D** |
| - | > Gm C Gm C D** | + | > **Gm C Gm C D** |
| > Monsieur monsieur | > Monsieur monsieur | ||
| > Pardonnez mon mépris | > Pardonnez mon mépris | ||
| Line 543: | Line 676: | ||
| > La condition de notre existence | > La condition de notre existence | ||
| > Vous êtes a un restaurant de mouche; et vous vous meme êtes un crapaud | > Vous êtes a un restaurant de mouche; et vous vous meme êtes un crapaud | ||
| + | > Croa | ||
| - | > **Croa | + | > **Bb F Bb F** |
| - | > Bb F Bb F | + | > **Bb E7 Am D** |
| - | > Bb E7 Am D | + | > **Gm C Gm C D** |
| - | > Gm C Gm C D** | + | |
| > Monsieur monsieur | > Monsieur monsieur | ||
| > There’s a little worry | > There’s a little worry | ||
| Line 555: | Line 688: | ||
| > than a new soup, m’lord? | > than a new soup, m’lord? | ||
| - | > **Bb F Bb F | + | > **Bb F Bb F** |
| - | > Bb E7 Am D | + | > **Bb E7 Am D** |
| - | > Gm C Gm C D** | + | > **Gm C Gm C D** |
| > Monsieur monsieur | > Monsieur monsieur | ||
| > Pardon my contempt | > Pardon my contempt | ||
| Line 564: | Line 697: | ||
| > You are at a restaurant of flies, | > You are at a restaurant of flies, | ||
| > and you yourself are a toad | > and you yourself are a toad | ||
| + | > **Croa** | ||
| - | > **Croa | + | ==== Libéré |
| - | > ** | + | |
| - | > Libéré | + | |
| > **Cm Gm Eb F, Ab Bb Cm Ab F (x2)** | > **Cm Gm Eb F, Ab Bb Cm Ab F (x2)** | ||
| > Ca sert a rien d’se faire du mauvais sang sur l’avenir | > Ca sert a rien d’se faire du mauvais sang sur l’avenir | ||
| Line 576: | Line 708: | ||
| > Malgré les incertitudes aux alentours je sais | > Malgré les incertitudes aux alentours je sais | ||
| > Que le chemin est de chaines libéré. | > Que le chemin est de chaines libéré. | ||
| - | > Travels to the belt and more | + | |
| - | > G Emadd9 G E7, Am Ab+ C D7 x2 | + | ==== Travels to the belt and more ==== |
| + | > **G Emadd9 G E7, Am Ab+ C D7 (2)** | ||
| > Just called to tell you that I don’t mind, | > Just called to tell you that I don’t mind, | ||
| > what you’ve been up to as of late cuz | > what you’ve been up to as of late cuz | ||
| Line 585: | Line 718: | ||
| > **Bb F G** | > **Bb F G** | ||
| > Travel to the belt and more... | > Travel to the belt and more... | ||
| - | > Dm G C F x2, Dm G | + | > **Dm G C F (2), Dm G** |
| > I wanna see the light of our star through the clouds of Callisto | > I wanna see the light of our star through the clouds of Callisto | ||
| > Gaze at the twinkle of those rings from Ganymede’s station | > Gaze at the twinkle of those rings from Ganymede’s station | ||
| Line 598: | Line 731: | ||
| > Throttled my space shuttle enough and I am | > Throttled my space shuttle enough and I am | ||
| > **Bb F G** | > **Bb F G** | ||
| - | > Tthrough... I am through... | + | > Through... I am through... |
| - | > Dm G F C x2 | + | > **Dm G F C x2** |
| > I oughta see the tumbled giant | > I oughta see the tumbled giant | ||
| > Say hi to the baby rocks afar | > Say hi to the baby rocks afar | ||
| Line 606: | Line 739: | ||
| > With trips to the moon for you... | > With trips to the moon for you... | ||
| - | > **Faim** | + | ==== Faim ==== |
| > **Cm Gm-Ab, Eb Ab-Fm, Bb Ab Bb G** | > **Cm Gm-Ab, Eb Ab-Fm, Bb Ab Bb G** | ||
| > J’ai pas mangé depuis quat’ jours; | > J’ai pas mangé depuis quat’ jours; | ||
| Line 612: | Line 745: | ||
| > D’être peintre sur les limites; | > D’être peintre sur les limites; | ||
| > De s’que c’est que d’exister | > De s’que c’est que d’exister | ||
| + | > | ||
| > **C G-Am, Dm Am-G, F G, Bb G** | > **C G-Am, Dm Am-G, F G, Bb G** | ||
| > Ma place est pleine de mes esquisses | > Ma place est pleine de mes esquisses | ||
| Line 617: | Line 751: | ||
| > Jouant dans le vert et dans le blanc | > Jouant dans le vert et dans le blanc | ||
| > Et qui n’attendent que d’etre vues par d’autres | > Et qui n’attendent que d’etre vues par d’autres | ||
| + | > | ||
| > **Cm Gm-Ab, Eb Ab-Fm, Bb Ab Bb G** | > **Cm Gm-Ab, Eb Ab-Fm, Bb Ab Bb G** | ||
| > On a coupé l’electricité | > On a coupé l’electricité | ||
| > Les chars ne ronronne plus dans le quartier | > Les chars ne ronronne plus dans le quartier | ||
| - | > La champelure ne chante plus; Et l’telephone ne repond plus | + | > La champelure ne chante plus; Et l’telephone ne repond plus |
| + | > | ||
| > **C G-Am, Dm Am-G, F G, Bb G** | > **C G-Am, Dm Am-G, F G, Bb G** | ||
| > Si je sors dans la rue / Joindre la discrête meute | > Si je sors dans la rue / Joindre la discrête meute | ||
| Line 626: | Line 762: | ||
| > Comme un drapeau de culture | > Comme un drapeau de culture | ||
| > Dans cette perileuse aventure? | > Dans cette perileuse aventure? | ||
| + | > | ||
| > **Cm Gm-Ab, Eb Ab-Fm, Bb Ab Bb G** | > **Cm Gm-Ab, Eb Ab-Fm, Bb Ab Bb G** | ||
| > Pourquoi l’chaos a pris ce monde | > Pourquoi l’chaos a pris ce monde | ||
| > Perdu par les meandres de ceux à la tête | > Perdu par les meandres de ceux à la tête | ||
| > Et je peinds malgre la faim / Pour continuer a être humain | > Et je peinds malgre la faim / Pour continuer a être humain | ||
| + | > | ||
| > **Fm Bb Eb Cm, Db Gb B** | > **Fm Bb Eb Cm, Db Gb B** | ||
| > Je crois malgré le vacarme silencieux qu’il y’a plus | > Je crois malgré le vacarme silencieux qu’il y’a plus | ||
| > Que la tricherie des effrayés | > Que la tricherie des effrayés | ||
| > Je dois bien essayé aussi / Car je commence à m’affamer | > Je dois bien essayé aussi / Car je commence à m’affamer | ||
| + | > | ||
| > **Cm Gm-Ab, Eb Ab-Fm, Bb Ab Bb G** | > **Cm Gm-Ab, Eb Ab-Fm, Bb Ab Bb G** | ||
| > Est-ce avec une lame ou un pinceau | > Est-ce avec une lame ou un pinceau | ||
| > Que la porte doit s’ouvrir Sur ce voisinage? | > Que la porte doit s’ouvrir Sur ce voisinage? | ||
| > Et je peinds malgre la faim / Pour continuer a être humain | > Et je peinds malgre la faim / Pour continuer a être humain | ||
| + | > | ||
| > **Fm Bb Eb Cm, Db Gb B** | > **Fm Bb Eb Cm, Db Gb B** | ||
| > Je crois magré le vacarme silencieux qu’il y’a plus | > Je crois magré le vacarme silencieux qu’il y’a plus | ||
| Line 651: | Line 790: | ||
| > J’me lève chaque matin, me souciant du déluge | > J’me lève chaque matin, me souciant du déluge | ||
| > Et r’commence à ramer mon radeau de Méduse | > Et r’commence à ramer mon radeau de Méduse | ||
| + | > | ||
| > **Am D, B Em, Am D Baug7...Em** | > **Am D, B Em, Am D Baug7...Em** | ||
| > Dans c’t’océan d’asphalte, | > Dans c’t’océan d’asphalte, | ||
| > Je vois au loin un rivage, Mais est-ce encore un; mirage? | > Je vois au loin un rivage, Mais est-ce encore un; mirage? | ||
| > O méduse aide moi à; voir | > O méduse aide moi à; voir | ||
| + | > | ||
| > **C B Em G, C B Em Em** | > **C B Em G, C B Em Em** | ||
| > J’me lève chaque matin; perdu dans cet etang | > J’me lève chaque matin; perdu dans cet etang | ||
| > Et je persévère sur mon radeau ramant | > Et je persévère sur mon radeau ramant | ||
| + | > | ||
| > **Am D, B Em; Am D, Baug7, A7** | > **Am D, B Em; Am D, Baug7, A7** | ||
| > Sous ste pluie qui perdure; Fuyant les grises sculptures | > Sous ste pluie qui perdure; Fuyant les grises sculptures | ||
| > Qui me r’garde et qui garde cette; impassible; culture | > Qui me r’garde et qui garde cette; impassible; culture | ||
| + | > | ||
| > **C B, G D; Am D, B Em** | > **C B, G D; Am D, B Em** | ||
| - | > Je vois encore au loin un mirage; Ou est-ce une percee | + | > Je vois encore au loin un mirage; Ou est-ce une percée |
| - | > Y a-t-il un autre etre; Ou est-ce mon oeiel qui est traitre? | + | > Y a-t-il un autre etre; Ou est-ce mon oeil qui est traitre? |
| + | > | ||
| > **C B Em G, C D7 Em Em** | > **C B Em G, C D7 Em Em** | ||
| > J’me lève chaque matin, me souciant du déluge | > J’me lève chaque matin, me souciant du déluge | ||
| Line 669: | Line 813: | ||
| > **Am7 Dadd4 Ebdim4 Emadd9no5** | > **Am7 Dadd4 Ebdim4 Emadd9no5** | ||
| > **GM9s4 Ebadd#4no5 D** | > **GM9s4 Ebadd#4no5 D** | ||
| - | > . | + | > ... |
| > **C G B7, Em, C, B, Em, G** | > **C G B7, Em, C, B, Em, G** | ||
| > J’ai suivi ce mirage qui n’en etait pas | > J’ai suivi ce mirage qui n’en etait pas | ||
| > un Je ne me suis plus ; seul dans c’t’oce | > un Je ne me suis plus ; seul dans c’t’oce | ||
| > an d’asphalte, | > an d’asphalte, | ||
| + | > | ||
| > **C B Em G, C B E** | > **C B Em G, C B E** | ||
| > J’me lève chaque matin, me souciant du déluge | > J’me lève chaque matin, me souciant du déluge | ||
| > Et r’commence à ramer mon radeau de Méduse | > Et r’commence à ramer mon radeau de Méduse | ||
| - | > Dancing robins | + | |
| + | ==== Dancing robins | ||
| > **Dm Bb C7 F** | > **Dm Bb C7 F** | ||
| > **C7 F C7 Bb, F7s2 Eb6 G** | > **C7 F C7 Bb, F7s2 Eb6 G** | ||
| > Will you dance with me? Will you dance with me? | > Will you dance with me? Will you dance with me? | ||
| > The morning stars are merging with the sky… | > The morning stars are merging with the sky… | ||
| + | > | ||
| > **Dm Bb C7 F, Dm Am Bb G, Aaug7 ** | > **Dm Bb C7 F, Dm Am Bb G, Aaug7 ** | ||
| > Sun’s shining bright and high, And robins, well, flutter by; | > Sun’s shining bright and high, And robins, well, flutter by; | ||
| > Yet here, you hide... Look. I get it but, why? | > Yet here, you hide... Look. I get it but, why? | ||
| > Time flies! | > Time flies! | ||
| + | > | ||
| > **Dm Am Bb F, Gm Eb Bb D** | > **Dm Am Bb F, Gm Eb Bb D** | ||
| > I wish you could hear as I sow, Take your time as the winds blow, | > I wish you could hear as I sow, Take your time as the winds blow, | ||
| > But let the gloom and dirt go, For your seed, it’s meant to grow! | > But let the gloom and dirt go, For your seed, it’s meant to grow! | ||
| + | > | ||
| > **Dm C C7 F, Gm Eb Gm Eb, Gm A7** | > **Dm C C7 F, Gm Eb Gm Eb, Gm A7** | ||
| > Horizon’s nagging to be crossed, But never will I reach, | > Horizon’s nagging to be crossed, But never will I reach, | ||
| > Still will you try with me? Wouldn’t you to be? | > Still will you try with me? Wouldn’t you to be? | ||
| > Come and live in the sun- | > Come and live in the sun- | ||
| + | > | ||
| > **Dm Bb C7s4 F-Am, Dm Gm, C** | > **Dm Bb C7s4 F-Am, Dm Gm, C** | ||
| > -set? Moon be a sheep chasing our night | > -set? Moon be a sheep chasing our night | ||
| > Pine hills will craze by as we’d | > Pine hills will craze by as we’d | ||
| > fly… | > fly… | ||
| + | > | ||
| > **Dm-G Dm-G Cm-F Cm-F** | > **Dm-G Dm-G Cm-F Cm-F** | ||
| > I see you gaze at the storm and wonder where | > I see you gaze at the storm and wonder where | ||
| > Oh where does your soul go? | > Oh where does your soul go? | ||
| > A breeze in the down pour? | > A breeze in the down pour? | ||
| - | > Gm Bb C7s4 2 | + | > |
| + | > **Gm Bb C7s4 (2)** | ||
| > Can I have another day to fly? | > Can I have another day to fly? | ||
| > I wish I had my wings again to try? | > I wish I had my wings again to try? | ||
| + | > | ||
| > **GMadd9 Faddb5, GMadd9 Cm6 B7+5 Gadd9 Am9no5 ** | > **GMadd9 Faddb5, GMadd9 Cm6 B7+5 Gadd9 Am9no5 ** | ||
| > Will you dance with me? Will you dance with me? | > Will you dance with me? Will you dance with me? | ||
| > The morning stars are merging with the sky… | > The morning stars are merging with the sky… | ||
| - | > Egg shell rose | + | |
| + | ==== Egg shell rose ==== | ||
| > Gm Eb Bb F (x2); Gm Eb Bb D | > Gm Eb Bb F (x2); Gm Eb Bb D | ||
| > All my life felt like a wilting egg shell rose | > All my life felt like a wilting egg shell rose | ||
| Line 743: | Line 897: | ||
| > Howling alone where the clouds meet the sea, | > Howling alone where the clouds meet the sea, | ||
| > Skin and bone I used to stand till I met thee... | > Skin and bone I used to stand till I met thee... | ||
| - | > Comme un jardin (Incomplete lyrics) | + | |
| - | > **G-GM7 B7 Em-Emadd9-CM7S4 CM7 | + | ==== Comme un jardin (Incomplete lyrics) |
| - | > Cadd9 Gadd9 B7 Emadd4 | + | > **G-GM7 B7 Em-Emadd9-CM7S4 CM7** |
| - | > Gadd9 B7 Emadd4 CM7, Cadd9 G D Em, Gadd9 B7 Emadd4-B7s4 CM7 | + | > **Cadd9 Gadd9 B7 Emadd4** |
| - | > Faddb5 D6, Gadd9-B7 Emadd4 | + | > **Gadd9 B7 Emadd4 CM7, Cadd9 G D Em, Gadd9 B7 Emadd4-B7s4 CM7** |
| - | > G D A, C Em D-G** | + | > **Faddb5 D6, Gadd9-B7 Emadd4** |
| + | > **G D A, C Em D-G** | ||
| > Comme un jardin qui aurait manqué de soleil, | > Comme un jardin qui aurait manqué de soleil, | ||
| > On s’étiole à croiser l’fer de la veille; | > On s’étiole à croiser l’fer de la veille; | ||
| > Commune rose qui connue trop de pluie, | > Commune rose qui connue trop de pluie, | ||
| > ....(Serait-ce possible qu’il en soit autrement?) | > ....(Serait-ce possible qu’il en soit autrement?) | ||
| - | > . | + | > .... |
| > À force de rouler dans les ronces | > À force de rouler dans les ronces | ||
| > On n’fait qu’en semer la semance | > On n’fait qu’en semer la semance | ||
| > **Gadd9 B7 B7s4 CM7, Cadd9 G D Em, Gadd9 B7 B7s4 CM7** | > **Gadd9 B7 B7s4 CM7, Cadd9 G D Em, Gadd9 B7 B7s4 CM7** | ||
| > **Faddb5 D6, Gadd9-B7 Emadd4 D** | > **Faddb5 D6, Gadd9-B7 Emadd4 D** | ||
| - | > . | + | > .... |
| > **G D A A, C Em G D (x2)** | > **G D A A, C Em G D (x2)** | ||
| > Que vois-tu dans la glace qui te regarde? | > Que vois-tu dans la glace qui te regarde? | ||
| Line 764: | Line 919: | ||
| > Crois tu que la vie se passe sans détour? | > Crois tu que la vie se passe sans détour? | ||
| > Que nos actes faits dans l’ombre s’efface à la lumière du jour? | > Que nos actes faits dans l’ombre s’efface à la lumière du jour? | ||
| + | > | ||
| > **C G D A, C G B7 Em (x2)** | > **C G D A, C G B7 Em (x2)** | ||
| > Sache tout autour qu’abondent les mystêres | > Sache tout autour qu’abondent les mystêres | ||
| Line 769: | Line 925: | ||
| > Vas-tu louer cette merveilleuse serre | > Vas-tu louer cette merveilleuse serre | ||
| > Qui t’a donné des yeux encore capables de s’ennuyer | > Qui t’a donné des yeux encore capables de s’ennuyer | ||
| - | > Cadd9 (GM7n3)G5 Dh (Cadd9)Aadd11; | + | > **Cadd9 (GM7n3)G5 Dh (Cadd9)Aadd11; |
| - | > **Cadd9 G5 Dh Aadd11; Cadd9 G5 Dh Em7no5 | + | > **Cadd9 G5 Dh Aadd11; Cadd9 G5 Dh Em7no5** |
| - | > ** | + | > **A Dbm Gbm, Bm F Faddb5 F** |
| - | > **A Dbm Gbm, Bm F Faddb5 F | + | ==== Quand je regarde |
| - | > ** | + | |
| - | > Quand je regarde | + | |
| > **G Gaug Em C Cm, G Am F Bb Eb, Gm C** | > **G Gaug Em C Cm, G Am F Bb Eb, Gm C** | ||
| > Quand je m’arrête un instant à miroiter l’horizon, | > Quand je m’arrête un instant à miroiter l’horizon, | ||
| Line 804: | Line 958: | ||
| > It will live on and on and on... | > It will live on and on and on... | ||
| - | > Je suis libre | + | ==== Je suis libre ==== |
| > **C Em F Fm Ab7? (2)** | > **C Em F Fm Ab7? (2)** | ||
| > Je suis libre, Je suis libre | > Je suis libre, Je suis libre | ||
| Line 810: | Line 964: | ||
| > Tu verras c’que je vais en faire | > Tu verras c’que je vais en faire | ||
| - | > Sounds like Winter | + | ==== Sounds like Winter |
| - | > Fm Fm G#M7n5 (2) DbM7 Db6 Eb9 Eb C C | + | > **Fm Fm G#M7n5 (2) DbM7 Db6 Eb9 Eb C C** |
| - | > **Fm Fm Fm7 Bb7 Bbm7 C7 C | + | > **Fm Fm Fm7 Bb7 Bbm7 C7 C** |
| - | > F F Bbm Bbm Eb Eb Ab Ab Db Db DbM7 Db7 C C Fm | + | > **F F Bbm Bbm Eb Eb Ab Ab Db Db DbM7 Db7 C C Fm** |
| - | > ** | + | |
| - | > Wrestle (Incomplete) | + | ==== Wrestle (Incomplete) |
| - | > C Em D A, C G (Ds|Eb3b|GM7) D | + | > **C Em D A, C G (Ds|Eb3b|GM7) D** |
| - | > Gbm F (Bb|Eb) G, Cm Fm&9 G Cm | + | > **Gbm F (Bb|Eb) G, Cm Fm&9 G Cm** |
| > **C5 AbMn5 C5 Cs4 (x2)** | > **C5 AbMn5 C5 Cs4 (x2)** | ||
| > I try and I try to set a course, | > I try and I try to set a course, | ||
| Line 831: | Line 985: | ||
| > I know where I’m from but not where I’ll be gone, | > I know where I’m from but not where I’ll be gone, | ||
| > It has been quite a dream, now time to awaken | > It has been quite a dream, now time to awaken | ||
| - | > **G D A Bm, G D A Bs2 | + | > **G D A Bm, G D A Bs2** |
| - | > Bm D A, Bm D A | + | > **Bm D A, Bm D A** |
| - | > C Em Bb D** | + | > **C Em Bb D** |
| > I fear and figure I’m this fiddling farce | > I fear and figure I’m this fiddling farce | ||
| > A stuffy rider on a poorly made arch | > A stuffy rider on a poorly made arch | ||
| Line 842: | Line 996: | ||
| > Well dithering witherings I’m shunning it all | > Well dithering witherings I’m shunning it all | ||
| - | > Skunanak | + | ==== Skunanak |
| > **Em, G, Am, Em; Em, G, Am, Em** | > **Em, G, Am, Em; Em, G, Am, Em** | ||
| > What do I see in this desert | > What do I see in this desert | ||
| Line 858: | Line 1012: | ||
| > Along with all yours friends | > Along with all yours friends | ||
| > When Skunanak finally farts vanilla farts... it’s over! | > When Skunanak finally farts vanilla farts... it’s over! | ||
| - | > Others | + | ====== |
| - | > Peu m’importe / If you love me | + | ===== Other languages ===== |
| + | ==== Peu m’importe / If you love me ==== | ||
| > **Eb G7 Cm Cm7, Ab G Fm Bb7; Eb G7 Ab Abm, Eb Cm Fm Bb** | > **Eb G7 Cm Cm7, Ab G Fm Bb7; Eb G7 Ab Abm, Eb Cm Fm Bb** | ||
| > **C E7 Am Am7, Dm F6 G G+; C E7 F Fm, C A7 Dm G** | > **C E7 Am Am7, Dm F6 G G+; C E7 F Fm, C A7 Dm G** | ||
| > If the sun should tumble from the skies | > If the sun should tumble from the skies | ||
| > If the sea should suddenly run dry | > If the sea should suddenly run dry | ||
| + | > | ||
| > Peu m' | > Peu m' | ||
| > Je me fous du monde entier | > Je me fous du monde entier | ||
| Line 871: | Line 1026: | ||
| > If it seems that everything is lost | > If it seems that everything is lost | ||
| > I will smile and never count the cost | > I will smile and never count the cost | ||
| + | > | ||
| > If you loo-ove me, really love me | > If you loo-ove me, really love me | ||
| > Let it happen, I won't care | > Let it happen, I won't care | ||
| Line 879: | Line 1034: | ||
| > Shall I bring it where you are? | > Shall I bring it where you are? | ||
| > If you want me to I will | > If you want me to I will | ||
| - | > **Fm Bb Eb, Ab Dm G Cm, Ab Ab7 G Bb | + | > **Fm Bb Eb, Ab Dm G Cm, Ab Ab7 G Bb** |
| - | > C G C, C G C, B7 E7, Am E Am, Am E Am, F E7; Dm G C, E7 E Am, F E7 | + | > **C G C, C G C, B7 E7, Am E Am, Am E Am, F E7; Dm G C, E7 E Am, F E7** |
| - | > Dm G C, F Bm E Am, F F7 E G** | + | > **Dm G C, F Bm E Am, F F7 E G** |
| > You can set me any task | > You can set me any task | ||
| > I'll do any-thing you ask | > I'll do any-thing you ask | ||
| Line 891: | Line 1046: | ||
| > If you loo-ove me, really love me | > If you loo-ove me, really love me | ||
| > Let it happen, I won't care | > Let it happen, I won't care | ||
| - | > Eb G7 Ab Abm, Eb Cm Fm Bb, N.C. Eb Ab Eb | + | > **Eb G7 Ab Abm, Eb Cm Fm Bb, N.C. Eb Ab Eb** |
| - | > C E7 F Fm, C Am Dm G, N.C. C F C | + | > **C E7 F Fm, C Am Dm G, N.C. C F C** |
| > Peu m' | > Peu m' | ||
| > Mon amour puisque tu m' | > Mon amour puisque tu m' | ||
| - | > **Fou ** | + | ==== Fou ==== |
| - | > **G D A Bm, G D A Bm Bm C# ** | + | > **G D A Bm, G D A Bm Bm C#** |
| - | > **D A Bm, Bm G D A A; D A Bm, G D A A ** | + | > **D A Bm, Bm G D A A; D A Bm, G D A A** |
| > Veux-tu v'nir avec moi, On s'en va où tu veux | > Veux-tu v'nir avec moi, On s'en va où tu veux | ||
| > Mais laisse-moi t' | > Mais laisse-moi t' | ||
| > Si j' | > Si j' | ||
| > Pis après deux bonnes bouffées d'air, Tu m' | > Pis après deux bonnes bouffées d'air, Tu m' | ||
| - | > **Em D, A D, Em D, A Bm Bm ** | + | > **Em D, A D, Em D, A Bm Bm** |
| > Parce que là, tu t' | > Parce que là, tu t' | ||
| > Tu fabules, tu délires Et je sais pas quoi t' | > Tu fabules, tu délires Et je sais pas quoi t' | ||
| > Tu trembles, tu maigris T'as le teint pâle et gris | > Tu trembles, tu maigris T'as le teint pâle et gris | ||
| > Tu changes et je m' | > Tu changes et je m' | ||
| - | > **G, D A Bm, G, D A Bm, G D A Bm, G D A Bm Db ** | + | > **G, D A Bm, G, D A Bm, G D A Bm, G D A Bm Db** |
| > Moi, je fais quoi, je fais quoi? | > Moi, je fais quoi, je fais quoi? | ||
| > J' | > J' | ||
| > Toi, qu' | > Toi, qu' | ||
| > On dirait qu'tu décolles et que tu deviens fou | > On dirait qu'tu décolles et que tu deviens fou | ||
| - | > **FOU-OU-OU-OU-OU-OU........ ** | + | > FOU-OU-OU-OU-OU-OU....... |
| > FOU-OU-OU-OU-OU-OU -OU..... | > FOU-OU-OU-OU-OU-OU -OU..... | ||
| > **D A Bm, Bm G D A A; D A Bm, G D A A ** | > **D A Bm, Bm G D A A; D A Bm, G D A A ** | ||
| Line 920: | Line 1075: | ||
| > Je lis dans tes yeux comme dans un livre ouvert | > Je lis dans tes yeux comme dans un livre ouvert | ||
| > Et même si tu le refermes, je peux lire au travers | > Et même si tu le refermes, je peux lire au travers | ||
| - | > **Em D, A D, Em D, A Bm Bm ** | + | > **Em D, A D, Em D, A Bm Bm** |
| > Et là, j'le vois, tu t' | > Et là, j'le vois, tu t' | ||
| > Tu fabules, tu délires, Plus rien ne te fait rire | > Tu fabules, tu délires, Plus rien ne te fait rire | ||
| Line 926: | Line 1081: | ||
| > Tu bois et quoi encore, En autant que tu perdes le Nord | > Tu bois et quoi encore, En autant que tu perdes le Nord | ||
| > [Chorus] | > [Chorus] | ||
| - | + | > | |
| - | > **G D A Bm, G D A Bm; G D A Bm, G D A Bm Bm ** | + | > **G D A Bm, G D A Bm; G D A Bm, G D A Bm Bm** |
| - | > **FOU-OU-OU-OU-OU-OU........ ** | + | > **FOU-OU-OU-OU-OU-OU........** |
| > FOU-OU-OU-OU-OU-OU -OU..... | > FOU-OU-OU-OU-OU-OU -OU..... | ||
| > [Chorus 2] | > [Chorus 2] | ||
| - | > **G D A Bm, G D A Bm ** | + | > **G D A Bm, G D A Bm** |
| - | > **FOU-OU-OU-OU-OU-OU........ ** | + | > **FOU-OU-OU-OU-OU-OU........** |
| > FOU-OU-OU-OU-OU-OU -OU..… | > FOU-OU-OU-OU-OU-OU -OU..… | ||